With issue #16 of WOLVERINE AND THE X-MEN, which hit shelves this week, we unfortunately must say goodbye to artist Chris Bachalo, who moves on to another as-yet-unannounced new project. I owe many many thanks to Chris for kicking off this series in such a great way, for designing the Jean Grey School and for an all-around amazing run. He's been a terrific artist to work with. As wildly inventive as they come. So inventive I had to change the way I wrote my scripts. Chris has so many unique ideas about how to layout a page, that our editor Nick Lowe encouraged me to move to more of a Marvel style, meaning more of a loose plot instead of a full script. So I did, and loved it. My scripts still weren't exactly in the most traditional Marvel style, in that they still included dialogue (when I get a chance in the next few days, maybe I'll post some examples), but it's been an exciting challenge just to break out of my usual routine and a thrill to watch Chris work his magic. I wish we could've done more stuff together. Maybe someday.
As for WOLVERINE AND THE X-MEN, we've thankfully got an amazing roster of artists to pick up the slack, like Mike Allred (whose Doop one-shot is coming up next), Jorge Molina (who wraps up our AvX tie-ins in a huge way in issue #18), Steven Sanders (who shows us Angel's all-new mission in issue #20) and of course Nick Bradshaw, who's already cranked out some gorgeous work on this series and returns to help kick off our second year with issue #19 and then handles our crazy new Murder Circus arc beginning with #21. And as if that wasn't enough, come next year we add Ramon Perez to the mix, fresh off his Eisner win for Best Penciller.
I'm one lucky dude.
Tidak ada komentar:
Posting Komentar